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在托福阅读的课程中,常常被同学们问到的是如何进步阅读和做题效率的问题,因为大部分同学无法拿到阅读*的核心原因是时间不够无法读*文章,下面我们就来看一下托福阅读反义推理的高效表现有什么?
With question such as these clearly before them, the scientists aboard the Glomar Challenger processed to the Mediterranean to search for the answers.On August 23, 1970, they recovered a sample. The sample consisted of pebbles of hardened sediment that had once been soft, deep-sea mud, as well as granules of gypsum and fragments of volcanic rock. Not a single pebble was found that mighthave indicated that the pebbles came from the nearby continent. In the days following, samples of solid gypsum were repeatedly brought on deck as drilling operations penetrated the seafloor. Furthermore, the gypsum was found to possess peculiarities of composition and structure that suggested it had formed on desert flats. Sediment above and below the gypsum layer contained tiny marine fossils, indicating open-ocean conditions. As they drilled into the central and deepest part of the Mediterranean basin, the scientists took solid,shiny, crystalline salt from the core barrel. Interbedded with the salt were thin layers of what appeared to be wind blown silt.
4.Which of the following can beinferred from paragraph 3 about the solid gypsum layer?
○It did not contain any marine fossil.
○It had formed in open-ocean conditions.
○It had once been soft, deep-sea mud.
○It contained sediment from nearby deserts.
✔解析:
这道题很容易,和上一题是同样的套路
• 题干关键词:the solid gypsum layer
• 文中定位点:Sediment above and below the gypsumlayer contained tiny marine fossils, indicating open-ocean conditions.
• 利用反义推理:在石膏层上面和下面的沉积层中包含小海洋化石→石膏层不包含海洋化石
☞所以选A
而在我们熟练了在一个完整概念下不同因素之间的反义推理后(例如整体是【A,B,C】, 文中说AB重要则C不重要,AB有东西则C没有),将完整概念拓展到时间点前后区分概念会使得做题变得更加的简单:
【Paragraph 2】Yet this most fundamental standard of historical periodization concealsa host of paradoxes. Nearly every movie theater, however modest, had a piano ororgan to provide musical accompaniment to silent pictures. In many instances,spectators in the era before recorded sound experienced elaborate auralpresentations alongside movies' visual images, from the Japanese benshi(narrators) crafting multivoiced dialogue narratives to original musicalcompositions performed by symphony-size orchestras in Europe and the UnitedStates. In Berlin, for the premiere performance outside the Soviet Union of TheBattleship Potemkin, film director Sergei Eisenstein worked with Austriancomposer Edmund Meisel (1874-1930) on a musical score matching sound to image;the Berlin screenings with live music helped to bring the film its wideinternational fame.
5. Paragraph 2 suggests which of the following about Eisenstein’s film The Battleship Potemkirf?
○The film was not accompanied by sound before its Berlin screening.
○The film was unpopular in the Soviet Union before it was screened in Berlin.
○Eisenstein’s film was the first instance of collaboration between a director and a composer.
○Eisenstein believed that the musical score in a film was as important as dialogue.
✔解析:
• 题干关键词:Eisenstein’s film The Battleship Potemkirf,大写字母很容易找
• 文中定位点:In Berlin, for the premiereperformance outside the Soviet Union of The Battleship Potemkin, film directorSergei Eisenstein worked with Austrian composer Edmund Meisel (1874-1930) on amusical score matching sound to image; the Berlin screenings with live musichelped to bring the film its wide international fame.
• 利用反义推理:在柏林首次公演→在柏林之前没有演过
☞所以选A
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